In this stripped-back studio film, the Vauxhall Mokka becomes both subject and instrument. Producer Charlie Dark builds an original track entirely from sounds recorded from the car itself - doors, engines, switches, and subtle mechanical rhythms - transforming everyday function into music. Shot in a large white studio, the minimalist backdrop lets the Mokka and the music take centre stage. A fusion of engineering and artistry, sound and space.

A cinematic journey through London, led by the bold presence of the copper-toned Vauxhall Grandland and driven by an original spoken word poem. The film explores the rhythm of the city - its architecture, energy, and contrasts - as the Grandland moves through iconic streets and hidden corners. It all builds to a powerful visual crescendo beneath a vast copper roof, echoing the vehicle’s own striking design. A layered portrait of movement, material, and modern identity.

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Studio interview for British GQ featuring Kingsley Ben-Adir, discussing his portrayals of Malcolm X in One Night in Miami and Barack Obama in The Comey Rule. Filmed in a controlled studio environment using a multi-camera setup, with soft, even lighting and neutral backdrops in line with GQ’s editorial style. On-set production covered camera, lighting and sound, with rushes delivered ready for post-production and online release.

Studio-based shoot for GQ’s Actually Me series, featuring Ian Wright. Multi-camera setup with clean, soft lighting and neutral backdrops to keep the focus on performance. We handled on-set camera and lighting delivering rushes optimised for fast-turnaround editorial. Shot in a controlled environment to maintain consistency across the series format.

We worked on this GQ feature with Robert De Niro, as he revisited some of his most iconic roles - including Taxi Driver, The Godfather Part II and Raging Bull. Filmed in a controlled studio setting, the production focused on clean, well-lit visuals and crisp audio to support a calm, reflective tone. Delivered for GQ’s digital platforms.

Franky Wah performed a live set on the rooftop of Broadcasting House in Central London for BBC Radio 1. The session paired understated visuals with the clean architectural lines of the building, using a multi-camera setup to capture the performance in a calm, open setting. A rare location for a quietly confident set.

A series of intimate videos with Raye in the lead-up to her first Grammy Awards, shot in the artist’s home. The films offer a behind-the-scenes look at this milestone moment - capturing quiet rituals, candid reflections, and the emotional weight of the journey so far. Stripped-back and personal, the series balances elegance with vulnerability, spotlighting Raye’s artistry in its most unfiltered form.

Shot in a pristine white studio, this film for British GQ and Rolls-Royce takes viewers inside the new Ghost - the most technologically advanced model the brand has ever created. We handled full production, crafting a clean, considered environment that mirrored the car’s refined design language. Working closely with the GQ team, we used precision lighting and fluid camera movement to reveal the Ghost’s hidden innovations and quiet craftsmanship. The result elevates the subject through thoughtful execution and minimal distraction.

On 29 March 2021, the Royal Albert Hall marked its 150th anniversary with a one-off digital performance by Imogen Heap, recorded in the empty auditorium. Blending history with innovation, the piece features improvised elements from Sir Michael Costa’s Biblical Cantata - the first work ever performed at the Hall - reimagined through Imogen’s signature sound and experimental process. Performing on her custom perspex grand piano and using Mi.Mu gloves to control sound and light in real time, the Ivor Novello and Grammy-winning artist transforms the space into a haunting, immersive experience that bridges past and future.

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A campaign for Kick Game featuring Jourdan Dunn and Eva Apio, shot on location in the Kick Game store in central London to celebrate International Women’s Day. Set against the clean lines and stacked shelves of the space, the film blends fashion, culture, and authenticity -spotlighting two women who define influence on their own terms. With a relaxed, confident energy, it’s a celebration of identity, style and the spaces where culture is shaped.

A stylised editorial with Aaron Taylor-Johnson for Icon Magazine, set in a dystopian world that blurs the line between fashion and narrative. Through stark environments, textured lighting, and a cinematic edge, the visuals explore control, rebellion and identity - placing Aaron at the centre of a world that feels both fractured and hyper-designed. A bold, atmospheric take on modern masculinity.

A single-camera interview with Gareth Southgate ahead of the GQ Heroes event - stripped-back, thoughtful and quietly powerful. Shot in a minimal setting to keep the focus on Southgate’s words, the piece captures a calm authority and reflective tone as he speaks on leadership, pressure and purpose. An understated portrait of a public figure known for composure and clarity.

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Campaign for LONGCHAMP X D’HEYGERE UK - a visual exploration of adaptability, movement and modern design. Centred around the gender-neutral capsule collection, the film brings the versatility of the iconic Le Pliage to life through a playful and considered vignette. Focused on transformation and ease, the visuals reflect the collection’s commitment to mobility, inclusivity and sustainability - where form meets function in unexpected ways.

Cover shoot for Squaremile magazine featuring British boxer Conor Benn - a sharp, stylised portrait of controlled intensity. Shot on location with a focus on texture, shadow and form, the visuals balance Benn’s raw athleticism with a refined editorial edge. More than a fighter, the piece captures the presence and focus of a man ready for whatever comes next.

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Daisy Edgar-Jones responds to fan questions and theories in this light, conversational piece for British GQ. Mixing humour, warmth, and a touch of chaos from the internet, the film offers a candid look at Daisy’s personality beyond the screen. Casual but polished, it’s a playful exchange between star and audience - full of charm, surprises and a few unexpected deep dives.

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Paul Mescal watches and reacts to the final episode of Normal People for British GQ, revisiting the role that made him a household name. Made for the Men of the Year Awards, the film captures a quiet, reflective moment—balancing humour, vulnerability, and a sense of distance from the character that launched his career. Stripped-back and intimate, it’s a rare look at an actor confronting the work that changed everything.

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Another film in our Lululemon series with Harry Jameson, this episode focuses on boxing - not just as a workout, but as a mindset. Set in the ring and beyond, the film explores how the focus, control and mental toughness developed through boxing can carry into everyday life. With stripped-back visuals and a sharp, rhythmic energy, it’s a portrait of movement as both discipline and release.

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Part of a series created for Lululemon featuring fitness expert Harry Jameson, this film explores the connection between physical training and mental resilience. Each episode in the series looks beyond reps and routines, focusing on how the discipline, focus and clarity built through movement can shape the way we approach everyday life. Shot with a clean, human feel - these are stories about more than just fitness.

This video for Nike follows the journey of two young runners from London-based collective The Outrunners as they prepare for and take on the London Marathon. Told through their perspective, the piece captures the grit, community and quiet determination that fuels their training - balancing the intensity of the challenge with moments of reflection, support and pride. A grounded, human look at what it means to run for something bigger than yourself.

A two-track live session with Brit Award winner Celeste, filmed at the iconic Union Chapel in Islington, North London. Set against the venue’s atmospheric backdrop, the session captures Celeste’s voice in its rawest, most intimate form - stripped back, emotionally charged and deeply resonant. A timeless setting for a timeless talent.

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Welcome to The Jodie Harsh Show - a full-throttle visual experience built for one of the UK’s most iconic nightlife figures. From pop glitter to underground grit, we created an unapologetically bold show package that matches Jodie’s high-energy sets and larger-than-life persona. Loud, saturated, and relentlessly fun, the visuals are designed to light up dancefloors and elevate every moment of the performance.

Brand new visuals for Jodie Harsh’s 2.0 show - an all-new, high-impact visual identity premiered live at Drumsheds. Designed to reflect the next evolution of Jodie’s sound and stage presence, the package blends bold colour, sharp pop iconography, and fast-cut club energy. Built for scale and spectacle, the visuals are all attitude - turning up the volume on a show that’s already larger than life.

Teaser for Delta Heavy’s forthcoming album Midnight Forever - a dark, cinematic preview of the full live show experience. Built entirely from the custom tour visuals, the teaser blends high-impact motion design, surreal sci-fi imagery, and a relentless sense of scale. Designed to mirror the album’s emotional range and sonic weight, it sets the tone for what’s to come: immersive, intense, and built for the stage.

We worked with British GQ to create this episode of 10 Essentials featuring Amelia Dimoldenberg, the creator of Chicken Shop Date. Shot with Amelia’s signature dry humour and sharp delivery, the piece blends polished visuals with her offbeat charm as she walks through ten things she can’t live without - from chicken nuggets to her meticulously curated Notes app. A playful, stylised portrait of one of the UK’s most distinctive comic voices.

Getting ready with Rahi Chadda for BOSS - an elevated glimpse inside the calm before the spotlight. Set in the quiet luxury of a hotel suite, the film moves through tailored rituals and sharp details, capturing Rahi’s presence with a subtle, cinematic edge. Clean lines, soft light, and precise styling meet a sense of stillness and control, reflecting the modern confidence at the core of the BOSS identity.

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Chris Hemsworth interviews Chris Hemsworth about Chris Hemsworth in this playful promo for the GQ Men of the Year Awards. A sharp, self-aware twist on the celebrity interview format, the piece blends dry humour with polished visuals - skewering ego while leaning fully into it. Hemsworth brings charm and perfect timing, delivering a performance that’s as tongue-in-cheek as it is effortlessly watchable.

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To celebrate the launch of the new Samsung Galaxy S23 Ultra, England professional footballer Raheem Sterling takes on one-half of British hip-hop duo ‘Rizzle Kicks,’ as he attempts to school Jordan Stephens on what it takes to become a pro football player. Both Raheem and Jordan go head-to-head in a series of football challenges, as our ‘average joe’ tries to keep up with the pro.

Music promo for Delta Heavy’s Get Down Tonight - a high-energy visual hit built around bold motion design, saturated colour and relentless pace. Designed to mirror the track’s playful aggression and rave-ready intensity, the video fuses glitchy textures with animated choreography, creating a world that feels both chaotic and controlled. Fast, fun, and unapologetically loud.

Bitter Creek was brought on to create the music video for Heaven, the lead single from techno powerhouse Sara Landry’s debut album Spiritual Driveby.

A high-intensity visual trip, the video blends Landry and Alt8’s relentless hard techno with a fierce, choreographed dance performance. Set in a raw, industrial space, it captures the pulse of the underground - where sound, sweat and movement collide.

Shot in moody shadows and punctuated by explosive bursts of light, Heaven doesn’t just hit hard - it elevates. The result is a visceral visual companion that amplifies the track’s energy and cements Sara Landry’s status as a force in hard dance.

Set within an old car garage in London’s East End, we shot and cut a film for Icon Magazine’s cover, featuring arguably the greatest rock & roll frontman the UK has ever produced - Liam Gallagher. Stripped-back and full throttle, the film channels Gallagher’s signature swagger against the grit and grease of the garage. It’s raw, loud, and unmistakably Liam - no frills, all attitude.

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Legacy is a testament to the unyielding and intense spirit of hard techno. This relentless and high-octane track is a prime example of the raw and pounding nature of the genre and it showcases Sara Landry's talent as a producer and DJ. We wanted to channel that same intensity into a bold visual language - marrying industrial textures, strobing light, and hypnotic rhythm. Set in an abstract, dystopian world, the visuals push the boundaries of techno storytelling, capturing the dark euphoria and ecstatic release that define the scene.

The Whiteley is a landmark development of 139 residences in Queensway, London. Setting a new benchmark for wellness and luxury living. We delivered all on and offline post-production for the video elements of the launch campaign. A project shot by legendary rock photographer Mark Seliger and featuring Poppy Delevingne.

We teamed up with British GQ and BOSS to create the official recap film for GQ’s Men of the Year 2023. With sharp commentary from comedians Munya Chawawa and Mawaan Rizwan, the video captures the vibe, style and standout moments of the night - all from the unexpected setting of an East London pie & mash shop.

DJ Turn It Up is a high-impact visual built around the explosive energy of Dimension’s standout drum and bass single. Named Danny Howard’s Hottest Record in the World on BBC Radio 1, the track is pure rave adrenaline - relentless, euphoric and built to move bodies. We tapped into that same pulse, crafting a stripped-back but supercharged visual set entirely in a vast white studio. With sharp, aggressive choreography and an unapologetic focus on rhythm and repetition, the video amplifies the raw physicality of the track, turning minimalism into a weapon and movement into momentum.

We video directed the official in-camera tour visuals for 50 Cent’s Green Light Gang European tour - 17 cities, 12 countries. Designed specifically for the arena’s huge production, every frame was built to amplify the live performance in real time. Focused, high-impact and tightly choreographed to the set, the visuals were engineered to heighten scale, energy, and presence across every show.

Produced custom visual content for Dimension’s live show at Printworks, London - one of the UK’s most iconic electronic music venues. Designed to work in harmony with the venue’s towering LED screens and industrial architecture, the visuals combined bold graphic language, pulsing motion and a tight connection to the energy of Dimension’s set. Built specifically for the scale and intensity of the Printworks experience.

Directed and produced the official visuals for Dimension’s Where Do We Go. A cinematic take on longing, memory and emotional velocity. Set against shifting natural landscapes and built around a fluid, dreamlike structure, the video contrasts stillness with motion, echoing the track’s introspective tone and euphoric release. Crafted to feel both expansive and intimate, the visuals lean into atmosphere and restraint, allowing the emotion of the music to lead.

We produced and created all in-camera visuals to create a dynamic series of visuals for Pendulum’s new global arena tour - alongside visual design studio More Eyes, designed to amplify the energy and scale of their live performances. Each visual piece was crafted to sync seamlessly with the setlist. Combining immersive lighting effects and bold graphic storytelling. Engineered to captivate audiences across massive LED screens, the visuals elevate the atmosphere and drive the intensity of every show on the world stage.

‍For the finale of his five-night residency, which was the first of its kind to take place at the Royal Albert Hall, Simon Green aka Bonobo invited the Hall’s Associate Artist and acclaimed organist Anna Lapwood to join him in the show’s finale ‘Otomo’ (co-produced by O’Flynn).

In an act of near complete spontaneity and coincidence, the two met whilst Anna rehearsed in the building late at night after Simon’s fourth event at the venue. Fast forward 18 hours and the two were performing live together in a truly spine-tingling collaboration.

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Directed and produced Russell Tovey’s GQ Fit Check with American Express for the Men of the Year Awards. Shot on location at Rosewood London, the piece captures a sharp, understated sense of style and personality - balancing polished visuals with a relaxed, conversational tone. Designed to align with both British GQ’s editorial edge and Amex’s premium feel.

Taken from the twice Mercury Prize-nominated artist's new EP Am I The Change I Wish To See?, Oh Lord! was inspired by a moment of contemplation about what it would look like to see Black people enjoying themselves in Heaven. And for its part, the video takes the viewer on a communal journey that transcends the conventional depiction of Heaven.