Set within an old car garage in London’s East End, we shot and cut a film for Icon Magazine’s cover, featuring arguably the greatest rock & roll frontman the UK has ever produced - Liam Gallagher. Stripped-back and full throttle, the film channels Gallagher’s signature swagger against the grit and grease of the garage. It’s raw, loud, and unmistakably Liam - no frills, all attitude.

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A series of intimate videos with Raye in the lead-up to her first Grammy Awards, shot in the artist’s home. The films offer a behind-the-scenes look at this milestone moment - capturing quiet rituals, candid reflections, and the emotional weight of the journey so far. Stripped-back and personal, the series balances elegance with vulnerability, spotlighting Raye’s artistry in its most unfiltered form.

A two-track live session with Brit Award winner Celeste, filmed at the iconic Union Chapel in Islington, North London. Set against the venue’s atmospheric backdrop, the session captures Celeste’s voice in its rawest, most intimate form - stripped back, emotionally charged and deeply resonant. A timeless setting for a timeless talent.

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The Whiteley is a landmark development of 139 residences in Queensway, London. Setting a new benchmark for wellness and luxury living. We delivered all on and offline post-production for the video elements of the launch campaign. A project shot by legendary rock photographer Mark Seliger and featuring Poppy Delevingne.

Studio-based shoot for GQ’s Actually Me series, featuring Ian Wright. Multi-camera setup with clean, soft lighting and neutral backdrops to keep the focus on performance. We handled on-set camera and lighting delivering rushes optimised for fast-turnaround editorial. Shot in a controlled environment to maintain consistency across the series format.

We produced and created all in-camera visuals to create a dynamic series of visuals for Pendulum’s new global arena tour - alongside visual design studio More Eyes, designed to amplify the energy and scale of their live performances. Each visual piece was crafted to sync seamlessly with the setlist. Combining immersive lighting effects and bold graphic storytelling. Engineered to captivate audiences across massive LED screens, the visuals elevate the atmosphere and drive the intensity of every show on the world stage.

Chris Hemsworth interviews Chris Hemsworth about Chris Hemsworth in this playful promo for the GQ Men of the Year Awards. A sharp, self-aware twist on the celebrity interview format, the piece blends dry humour with polished visuals - skewering ego while leaning fully into it. Hemsworth brings charm and perfect timing, delivering a performance that’s as tongue-in-cheek as it is effortlessly watchable.

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Cover shoot for Squaremile magazine featuring British boxer Conor Benn - a sharp, stylised portrait of controlled intensity. Shot on location with a focus on texture, shadow and form, the visuals balance Benn’s raw athleticism with a refined editorial edge. More than a fighter, the piece captures the presence and focus of a man ready for whatever comes next.

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A stylised editorial with Aaron Taylor-Johnson for Icon Magazine, set in a dystopian world that blurs the line between fashion and narrative. Through stark environments, textured lighting, and a cinematic edge, the visuals explore control, rebellion and identity - placing Aaron at the centre of a world that feels both fractured and hyper-designed. A bold, atmospheric take on modern masculinity.

We video directed the official in-camera tour visuals for 50 Cent’s Green Light Gang European tour - 17 cities, 12 countries. Designed specifically for the arena’s huge production, every frame was built to amplify the live performance in real time. Focused, high-impact and tightly choreographed to the set, the visuals were engineered to heighten scale, energy, and presence across every show.

To celebrate the launch of the new Samsung Galaxy S23 Ultra, England professional footballer Raheem Sterling takes on one-half of British hip-hop duo ‘Rizzle Kicks,’ as he attempts to school Jordan Stephens on what it takes to become a pro football player. Both Raheem and Jordan go head-to-head in a series of football challenges, as our ‘average joe’ tries to keep up with the pro.

Legacy is a testament to the unyielding and intense spirit of hard techno. This relentless and high-octane track is a prime example of the raw and pounding nature of the genre and it showcases Sara Landry's talent as a producer and DJ. We wanted to channel that same intensity into a bold visual language - marrying industrial textures, strobing light, and hypnotic rhythm. Set in an abstract, dystopian world, the visuals push the boundaries of techno storytelling, capturing the dark euphoria and ecstatic release that define the scene.

Produced custom visual content for Dimension’s live show at Printworks, London - one of the UK’s most iconic electronic music venues. Designed to work in harmony with the venue’s towering LED screens and industrial architecture, the visuals combined bold graphic language, pulsing motion and a tight connection to the energy of Dimension’s set. Built specifically for the scale and intensity of the Printworks experience.

‍For the finale of his five-night residency, which was the first of its kind to take place at the Royal Albert Hall, Simon Green aka Bonobo invited the Hall’s Associate Artist and acclaimed organist Anna Lapwood to join him in the show’s finale ‘Otomo’ (co-produced by O’Flynn).

In an act of near complete spontaneity and coincidence, the two met whilst Anna rehearsed in the building late at night after Simon’s fourth event at the venue. Fast forward 18 hours and the two were performing live together in a truly spine-tingling collaboration.

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We worked with British GQ to create this episode of 10 Essentials featuring Amelia Dimoldenberg, the creator of Chicken Shop Date. Shot with Amelia’s signature dry humour and sharp delivery, the piece blends polished visuals with her offbeat charm as she walks through ten things she can’t live without - from chicken nuggets to her meticulously curated Notes app. A playful, stylised portrait of one of the UK’s most distinctive comic voices.

Directed and produced the official visuals for Dimension’s Where Do We Go. A cinematic take on longing, memory and emotional velocity. Set against shifting natural landscapes and built around a fluid, dreamlike structure, the video contrasts stillness with motion, echoing the track’s introspective tone and euphoric release. Crafted to feel both expansive and intimate, the visuals lean into atmosphere and restraint, allowing the emotion of the music to lead.

Shot in a pristine white studio, this film for British GQ and Rolls-Royce takes viewers inside the new Ghost - the most technologically advanced model the brand has ever created. We handled full production, crafting a clean, considered environment that mirrored the car’s refined design language. Working closely with the GQ team, we used precision lighting and fluid camera movement to reveal the Ghost’s hidden innovations and quiet craftsmanship. The result elevates the subject through thoughtful execution and minimal distraction.

Studio interview for British GQ featuring Kingsley Ben-Adir, discussing his portrayals of Malcolm X in One Night in Miami and Barack Obama in The Comey Rule. Filmed in a controlled studio environment using a multi-camera setup, with soft, even lighting and neutral backdrops in line with GQ’s editorial style. On-set production covered camera, lighting and sound, with rushes delivered ready for post-production and online release.

Franky Wah performed a live set on the rooftop of Broadcasting House in Central London for BBC Radio 1. The session paired understated visuals with the clean architectural lines of the building, using a multi-camera setup to capture the performance in a calm, open setting. A rare location for a quietly confident set.

Directed and produced Russell Tovey’s GQ Fit Check with American Express for the Men of the Year Awards. Shot on location at Rosewood London, the piece captures a sharp, understated sense of style and personality - balancing polished visuals with a relaxed, conversational tone. Designed to align with both British GQ’s editorial edge and Amex’s premium feel.

Brand new visuals for Jodie Harsh’s 2.0 show - an all-new, high-impact visual identity premiered live at Drumsheds. Designed to reflect the next evolution of Jodie’s sound and stage presence, the package blends bold colour, sharp pop iconography, and fast-cut club energy. Built for scale and spectacle, the visuals are all attitude - turning up the volume on a show that’s already larger than life.

Paul Mescal watches and reacts to the final episode of Normal People for British GQ, revisiting the role that made him a household name. Made for the Men of the Year Awards, the film captures a quiet, reflective moment—balancing humour, vulnerability, and a sense of distance from the character that launched his career. Stripped-back and intimate, it’s a rare look at an actor confronting the work that changed everything.

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Daisy Edgar-Jones responds to fan questions and theories in this light, conversational piece for British GQ. Mixing humour, warmth, and a touch of chaos from the internet, the film offers a candid look at Daisy’s personality beyond the screen. Casual but polished, it’s a playful exchange between star and audience - full of charm, surprises and a few unexpected deep dives.

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A campaign for Kick Game featuring Jourdan Dunn and Eva Apio, shot on location in the Kick Game store in central London to celebrate International Women’s Day. Set against the clean lines and stacked shelves of the space, the film blends fashion, culture, and authenticity -spotlighting two women who define influence on their own terms. With a relaxed, confident energy, it’s a celebration of identity, style and the spaces where culture is shaped.

A single-camera interview with Gareth Southgate ahead of the GQ Heroes event - stripped-back, thoughtful and quietly powerful. Shot in a minimal setting to keep the focus on Southgate’s words, the piece captures a calm authority and reflective tone as he speaks on leadership, pressure and purpose. An understated portrait of a public figure known for composure and clarity.

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Welcome to The Jodie Harsh Show - a full-throttle visual experience built for one of the UK’s most iconic nightlife figures. From pop glitter to underground grit, we created an unapologetically bold show package that matches Jodie’s high-energy sets and larger-than-life persona. Loud, saturated, and relentlessly fun, the visuals are designed to light up dancefloors and elevate every moment of the performance.

Campaign for LONGCHAMP X D’HEYGERE UK - a visual exploration of adaptability, movement and modern design. Centred around the gender-neutral capsule collection, the film brings the versatility of the iconic Le Pliage to life through a playful and considered vignette. Focused on transformation and ease, the visuals reflect the collection’s commitment to mobility, inclusivity and sustainability - where form meets function in unexpected ways.